Monday, July 20, 2009

Body Language Expert Believes Oscar Pistorius Teary Breakdowns Are Staged

Body Language Expert Believes Oscar Pistorius Teary Breakdowns Are Staged
Figure language expert Dr Denise Bjorkman analyses Oscar Pistorius every move concerning his trail in court for the assassinate of his girlfriend Reeva Steenkamp. He Believes his teary breakdowns are theatrical to make disappear feelings of loathsome fault, latent hands on intellect is not deliberate move to reject trash march, 'placing hands on genatalia setting an sign of his leaked incapacity. He believes that Oscar's pick of gloomy black be appropriate to is shot to bare grieving.

The court provides the stage: earlier and previously the departure of Reeva Steenkamp. As a body language 'scientist' I enfold had the opportunity to crumb his behaviour over the years. I enfold worked on profound court belongings and profiled terrorists and shady corporate leaders for 30 years.

Staged?

In the same way as Oscar has to juggle in court is his three ceremony personas: the boyish dread he stage-managed for the global media - who will challenge any poser and which refutes his disability; the squalid, floating, grieving Oscar for ceremony exploit in the judges and the thoughtful ostentatious Hassle, fast cars, gung-ho image of Oscar with foolish women draped on his arm. Now Oscar has to project a complex image of transparency and misery to the mass media and court.

HOW IS Figure Chat EXAMINED IN PROFILING?

Adjust assessment of body language holds its attribute in being able to divulge among what social scientists call or molar or molecular behaviour.

The word molar reflects all behaviour and relationship to items which is convenient.

This would include how he dresses, drops his intellect and shoulders with self-regulated humility. It is key that facial muscle do not give emotion unacceptable.

Has to project body of transparency and misery


Hoarding how labile his facial movements are in his splendid moments every time he turns on the favor to women and the foolish crowds.

Briefly in the court room in his first facing, his feature is believed in adjust compactness, relief convincing messages that he wishes to platform mysterious. Why?

His ominous almost black be appropriate to and tie against a pallid shirt is gloomy, over the top and in poor mold. This is clearly an shot to bare grieving and respect for moderator - a quality he lacked historically.

Reverts to body protective movements such as crooked intellect and clasping his ears

In diverge to his prior apparatus, this is not his dressing style. His dramatic, miserable distress in court - every time the brutal wounds on Reeva's Steenkamp's body were discussed - is first-class native to be suitably theatrical.

I responsibility such behaviour serves to make disappear his feelings of loathsome fault and nakedness. Treachery can be seen in large and hugely theatrical movements. Modest misery is demonstrated by slighter close to the body movements because a grieving person withdraws.

It is counter-intuitive to responsibility our Oscar is infatuated with fault and misery every time he was seen by the media previously the obsession, ordinarily enjoying an active social life peppered with alcohol equipment.

Whispering to his pardon in a gullible movement


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